Funny Photos for Kids of girl for facebook of people for fb tumblr of women of animals 2013

Wednesday, 25 September 2013

New Funny Photos For Kids Of Girl For Facebook Of People For Fb Tumblr Of Women Of Animals 2013

New Funny Photos Biography

Source (google.com.pk)
Fanny Brice (occasionally spelled Fannie Brice) was the stage name of Fania Borach, born in New York City, the third child of relatively well-off saloon owners of Hungarian Jewish descent. In 1908, Brice dropped out of school to work in a burlesque revue, The revue was called 'The Girls from Happy Land starring Sliding Billy Watson." Two years later she began her association with Florenz Ziegfeld, headlining his Ziegfeld Follies from 1910 to 1911. She was hired again in 1921 and performed in them into the 1930s. In the 1921 Follies, she was featured singing "My Man" which became both a big hit and her signature song. She made a popular recording of it for Victor Records.

The second song most associated with Brice is "Second Hand Rose," which she introduced in the "Ziegfeld Follies of 1921."

She recorded nearly two dozen record sides for Victor and also cut several for Columbia. She is a posthumous recipient of a Grammy Hall of Fame Award for her 1921 recording of "My Man."

Brice's Broadway credits include Fioretta, Sweet and Low, and Billy Rose's Crazy Quilt. Her films include My Man (1928), Be Yourself! (1930) and Everybody Sing (1938) with Judy Garland. Brice, Ray Bolger and Harriet Hoctor were the only original Ziegfeld performers to portray themselves in The Great Ziegfeld (1936) and Ziegfeld Follies (1946). For her contribution to the motion picture industry, she has a star on the Hollywood Walk of Fame at MP 6415 Hollywood Boulevard.
Fanny Brice in the role of Baby Snooks, 1940.
Radio

From the 1930s until her death in 1951, Fanny made a radio presence as a bratty toddler named Snooks, a role she premiered in a Follies skit co-written by playwright Moss Hart. Baby Snooks premiered in The Ziegfeld Follies of the Air in February 1936 on CBS with Alan Reed playing Lancelot Higgins, her beleaguered "Daddy." Brice moved to NBC in December 1937, performing the Snooks routines as part of the Good News show, then back to CBS on Maxwell House Coffee Time, with the half-hour divided between the Snooks sketches and comedian Frank Morgan.

In September 1944, Brice's longtime Snooks sketch writers, Philip Rapp and David Freedman, brought in partners, Arthur Stander and Everett Freeman, to develop an independent, half-hour comedy program. The program launched on CBS in 1944, moving to NBC in 1948, with Freeman producing. First called Post Toasties Time, (named for the show's first sponsor), the show was renamed The Baby Snooks Show within short order, though in later years it was often known colloquially as Baby Snooks and Daddy. On the spinoff version of Baby Snooks, Hanley Stafford played Daddy, with Reed instead appearing as Daddy's employer, Mr. Weemish. Stafford eventually became the longest running actor to portray the "Daddy" character.

Brice was so meticulous about the program and the title character that she was known to perform in costume as a toddler girl even though seen only by the radio studio audience. She was 45 years old when the character began her long radio life. In addition to Reed and Stafford, her co-stars included Lalive Brownell, Lois Corbet and Arlene Harris playing her mother, Danny Thomas as Jerry, Charlie Cantor as Uncle Louie and Ken Christy as Mr. Weemish. She was completely devoted to the character, as she told biographer Norman Katkov: "Snooks is just the kid I used to be. She's my kind of youngster, the type I like. She has imagination. She's eager. She's alive. With all her deviltry, she is still a good kid, never vicious or mean. I love Snooks, and when I play her I do it as seriously as if she were real. I am Snooks. For 20 minutes or so, Fanny Brice ceases to exist."

Baby Snooks writer/producer Everett Freeman told Katkov that Brice didn't like to rehearse the role ("I can't do a show until it's on the air, kid") but always snapped into it on the air, losing herself completely in the character: "While she was on the air she was Baby Snooks. And...for an hour after the show, she was still Baby Snooks. The Snooks voice disappeared, of course, but the Snooks temperament, thinking, actions were all there."
Brice c. late-1910s
Marriages

Brice had a short-lived marriage in her teens to a local barber, Frank White, whom she met in 1910 in Springfield, Massachusetts, when she was touring in "College Girl." The marriage lasted three years and she brought suit for divorce in 1913.[1] Her second husband was professional gambler Julius W. "Nicky" Arnstein. Prior to their marriage, Arnstein served fourteen months in Sing Sing for wiretapping. Brice visited him in prison every week. In 1918 they were married, after living together for six years. In 1924, Arnstein was charged in a Wall Street bond theft. Brice insisted on his innocence, and funded his legal defense at great expense. Arnstein was convicted and sentenced to the federal penitentiary at Leavenworth where he served three years. Released in 1927, Arnstein disappeared from Brice's life and that of his two children. Reluctantly, Brice divorced him. She went on to marry songwriter and stage producer Billy Rose and appeared in his revue Crazy Quilt, among others. Their marriage also failed.
Television appearance and later years

Brice and Stafford brought Baby Snooks and Daddy to television only once, an appearance in June 1950 on CBS-TV's Popsicle Parade of Stars. This was Fanny Brice's only appearance on television. Brice handled herself well on the live TV broadcast but later admitted that the character of Baby Snooks just didn’t work properly when seen.

She returned with Stafford and the Snooks character to the safety of radio for her next appearance, on Tallulah Bankhead's big-budget, large-scale radio variety show, The Big Show, in November 1950, sharing the bill with Groucho Marx and Jane Powell. In one routine, Snooks asks Bankhead for advice on becoming an actress, despite Daddy's insistence that Snooks has no acting talent.

She resided in a house built in 1938 on North Faring Road in Holmby Hills, Los Angeles, designed by architect John Elgin Woolf (1908-1980).[2]
Death
Fanny Brice's grave

Six months after her Big Show appearance, on May 29, 1951, Fanny Brice died in Hollywood of a cerebral hemorrhage. She was 59. The May 29, 1951 episode of The Baby Snooks Show was broadcast as a memorial to the star who created the brattish toddler, crowned by Hanley Stafford's brief on-air eulogy: "We have lost a very real, a very warm, a very wonderful woman." Brice was cremated. Her ashes were interred in the Chapel Mausoleum at the Jewish Home of Peace Cemetery in East Los Angeles, California. A half-century later, at the time of Brice's daughter Frances' death in 1992, Fanny Brice's ashes were reinterred at Westwood Village Memorial Park Cemetery in Los Angeles, some 20 miles west of her original interment place. Today, the ashes, and those of her daughter, are in an outdoor pavilion.
Brice portrayals
from the trailer for the film The Great Ziegfeld (1936) in which Brice appeared as herself

Although the names of the principal characters were changed, the plot of the 1939 film Rose of Washington Square, in which the principal characters were portrayed by Tyrone Power and Alice Faye, was inspired heavily by Brice's marriage and career, to the extent it borrowed its title from a tune she performed in the Follies and included "My Man." She sued 20th Century Fox for invasion of privacy and won the case. Producer Darryl F. Zanuck was forced to delete several production numbers closely associated with the star.

Barbra Streisand starred as Brice in the 1964 Broadway musical Funny Girl, which centered on Brice's rise to fame and troubled relationship with Arnstein. In 1968, Streisand won an Academy Award for Best Actress for reprising her role in the film version (sharing the Oscar with Katharine Hepburn, for The Lion in Winter). The 1975 sequel Funny Lady focused on Brice's turbulent relationship with impresario Billy Rose and was as highly fictionalized as the original. Streisand also recorded the Brice songs "My Man," "I'd Rather Be Blue Over You (Than Happy with Somebody Else)" and "Second Hand Rose," which became a Top 40 hit.

Funny Girl, and its sequel Funny Lady, took liberties with the events of Brice's life. They make no mention of Brice's first husband at all, and suggest that Arnstein turned to crime because his pride would not allow him to live off Fanny, and that he was wanted by the police for selling phony bonds. In reality, however, Arnstein sponged off Brice even before their marriage and was eventually named as a member of a gang that stole $5 million worth of Wall Street securities. Instead of turning himself in, as in the movie, Arnstein went into hiding. When he finally surrendered, he did not plead guilty as he did in the movie, but fought the charges for four years, taking a toll on his wife's finances. It is thought that Ray Stark, the producer of the play and both movies and Brice's son-in-law, changed Arnstein's story in order to avoid a lawsuit, as Arnstein was still alive at the time. Brice's son William was not mentioned in the play or movies by mutual agreement; other changes – such as the portrayal of Brice's mother as living in modest means rather than well-off or the omission of Brice's first husband – may have been done in the interest of compelling storytelling.

In 2010, One Night with Fanny Brice, a one-woman show about Brice, written and directed by Chip Deffaa and starring Kimberly Faye Greenberg, premiered in New Jersey. The cast album, on the Original Cast label (OC-3831), was released in September 2010. The next production of the show, by the American Century Theatre Co. of Arlington, Virginia, starring Esther Covington, is slated to open in November 2010, directed by Ellen Dempsey.

The 1946 Warner Bros. cartoon Quentin Quail features a character based on Brice's characterization of Baby Snooks.
Legacy
Cover of sheet music for Brice's "My Man".

Two children were born of the Brice-Arnstein marriage. Daughter Frances (1919–1992) married Ray Stark, while son William (1921–2008) became an artist of note, using his mother's surname.

The Stony Brook campus of the State University of New York (SUNY at Stony Brook) formerly had a Fannie Brice Theatre, a small 75-seat venue which has been used for a variety of performances over the years, including a 1988 production of the musical Hair, staged readings, and a studio classroom space. The building was razed in 2007 to make way for new dormitories.

Mexican comedienne Maria Elena Saldana was influenced by Brice, and would create a character similar to Brice's Baby Snooks, La Guereja.

In 2006 Brice was featured in the film Making Trouble, a tribute to female Jewish comedians, produced by the Jewish Women’s Archive